Israel-Palestine News Compiler

Oscar-nominated animator makes film on sealed Gaza

Posted in The Blockade, The Gaza Strip, Videos by beyondtheborder on April 7, 2009

Yoni Goodman, director of animation for the Academy Award-nominated film, “Waltz with Bashir”, has created a new animated short film on the closure of Gaza together with the human rights group, Gisha. It’s 1:34 minutes long.

Hear Yoni Goodman talk about the process of making his new animated film on the closure of Gaza together with the human rights group, Gisha.

About Closed Zone

Despite declarations that it has “disengaged” from the Gaza Strip, Israel maintains control of the Strip’s overland border crossings, territorial waters, and air space. This includes substantial, albeit indirect, control of the Rafah Crossing.

During the past 18 months, Israel tightened its closure of Gaza, almost completely restricting the passage of goods and people both to and from the Strip.

These policies punish innocent civilians with the goal of exerting pressure on the Hamas government, violating the rights of 1.5 million people who seek only to live ordinary lives – to be reunited with family, to pursue higher education, to receive quality medical treatment, and to earn a living.

The effects of the closure were particularly harsh during the military operation of Dec. 2008 – Jan. 2009. For three weeks, Gaza residents had nowhere to flee to escape the bombing.

Gisha – Legal Center for Freedom of Movement calls on the State of Israel to fully open Gaza’s crossings and to allow the real victims of the closure – 1.5 million human beings – the freedom of movement necessary to realize their dreams and aspirations.

Source: http://sphr.org/v3/index.php?option=com_content&view=article&id=376:oscar-nominated-animator-makes-film-on-sealed-gaza&catid=23:featured-stories&Itemid=110

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Waltz with Bashir – Reviews

Posted in Miscellaneous by beyondtheborder on March 27, 2009
Waltz with Bashir

Waltz with Bashir

Film review: “Waltz with Bashir”
Naira Antoun

To say that Palestinians are absent in Waltz with Bashir, to say that it is a film that deals not with Palestinians but with Israelis who served in Lebanon, only barely begins to describe the violence that this film commits against Palestinians. There is nothing interesting or new in the depiction of Palestinians — they have no names, they don’t speak, they are anonymous. But they are not simply faceless victims. Instead, the victims in the story that Waltz with Bashir tells are Israeli soldiers. Their anguish, their questioning, their confusion, their pain — it is this that is intended to pull us. The rotoscope animation is beautifully done, the facial expressions so engaging, subtle and torn, we find ourselves grimacing and gasping at the trials and tribulations of the young Israeli soldiers and their older agonizing selves. We don’t see Palestinian facial expressions; only a lingering on dead, anonymous faces. So while Palestinians are never fully human, Israelis are, and indeed are humanized through the course of the film. “

For full article, visit: http://electronicintifada.net/v2/article10322.shtml

‘Antiwar’ film Waltz with Bashir is nothing but charade
Gideon Levy

However, it must also be noted that the film is infuriating, disturbing, outrageous and deceptive. It deserves an Oscar for the illustrations and animation – but a badge of shame for its message. It was not by accident that when he won the Golden Globe, Folman didn’t even mention the war in Gaza, which was raging as he accepted the prestigious award. The images coming out of Gaza that day looked remarkably like those in Folman’s film. But he was silent. So before we sing Folman’s praises, which will of course be praise for us all, we would do well to remember that this is not an antiwar film, nor even a critical work about Israel as militarist and occupier. It is an act of fraud and deceit, intended to allow us to pat ourselves on the back, to tell us and the world how lovely we are.”

For full article, visit: http://www.haaretz.com/hasen/spages/1065552.html

“Dance of Death: ‘Waltz with Bashir’ and Sympathy for the Killer
As’ad Abu Khalil

The film strives, as always happens in the liberal Zionist media, to introduce, up close, every soldier who appears in the film. You see the soldier as a child, helping his mother in the kitchen, you see him with his sweetheart, you see him sea-sick and vomiting, and there is nothing but for the viewer to lament and sympathize with the suffering Israeli murderer. There is a particular school in the Zionist Left that expresses its displeasure—nay, more—that some of the practices of Israeli wars and various aspects of the occupation are detrimental to “the Israeli spirit” or “the psychology of soldier.” In other words, for some of these people—like the thousands who demonstrated after the massacres of Sabra & Shatila—opposition to the slaughter came not out of sympathy with the victims or consciousness of the disaster that befell them, but out of support for the national (and, for some, even religious) fighting élan of the colonialist army. The humanization of the murderer and sympathy for him are both the flip side of the dehumanization of the Palestinian Other, for he is not a complete person in their view. Read Zionist literature from the beginning to find in their representation—if they were there at all—backward peasants or lowly bedouins or nondescript refugees without citizenship, later transformed into “saboteurs” (and this is the same name that the Phalangist “Voice of Lebanon” radio used in the course of the war) in the 1960s, until Zionist propaganda finally settled upon the description “terrorist”. The film doesn’t deviate from the formula, even with regard to that splendid boy when he fires an RPG launcher in the face of the occupier.”

For full article, visit: http://angryarab.blogspot.com/2009/03/translation-of-my-dance-of-death-waltz.html